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Pastor's
Letter for November
I am now back after my trip to the
Balkans in Europe. I got to visit
churches, monasteries, cathedrals, art
galleries, castles, and palaces in
Greece, Bulgaria, Romania, Hungary,
Austria, and Germany. It was
especially moving to be present at the
site where the Apostle Paul preached
in Athens and Thessalonica, Greece. I
loved the Meteora Monasteries perched
on very high rocky mountains to see
the beautiful wall paintings of the
various Bible characters done in
Byzantine style. Other highlights of
the trip included the Rila Monastery
in Bulgaria, the Melk Abbey in
Austria, the Bishop's residence in
Salzburg, the Michael Pacher
altarpiece in St. Wolfgang near
Salzburg, Austria. I got to view some
of the great works of Christian art in
museums. I have taught about these
paintings for years. On this trip I
got to see them first hand. In Greece
I was privileged to attend an Orthodox
baptism at Ousios Lukas Monastery in
this ancient chapel with lovely
mosaics. This was the water immersion
baptism of a baby. I took pictures of
it. In Vienna, Austria I went to a
Franz Schubert mass sung by the famous
Vienna Choir Boys Choir. I got to take
a boat ride on a lake near Salzburg
where the movie "The Sound of Music"
was shot and to take a boat ride down
the Blue Danube River. I attended a
Mozart and Strauss Concert in Vienna
with instrumental, opera, and ballet
musical performances. Vienna is known
for the great musical composers Haydn,
Beethoven, Strauss, and Mozart. In
Budapest I visited the home of the
composer Franz Liszt.
At the Albertina Museum in Vienna is
Albrecht Durer's "Praying Hands." I
got to purchase a print of this while
there. I would like to share this
story of sacrificial love.
Back in the fifteenth century, in a
tiny village near Nuremberg, Germany
lived a family with eighteen children.
Eighteen! In order merely to keep food
on the table for this mob, the father
and head of the household, a goldsmith
by profession, worked almost eighteen
hours a day at his trade and any other
paying chore he could find in the
neighborhood.
Despite their seemingly hopeless
condition, two of Albrecht Durer the
Elder's children had a dream. They
both wanted to pursue their talent for
art, but they knew full well that
their father would never be
financially able to send either of
them to Nuremberg to study at the
Academy.
After many long discussions at night
in their crowded bed, the two boys
finally worked out a pact. They would
toss a coin. The loser would go down
into the nearby mines and, with his
earnings, support his brother while he
attended the academy. Then, when that
brother who won the toss completed his
studies, in four years, he would
support the other brother at the
academy, either with sales of his art
work or, if necessary, also by
laboring in the mines.
They tossed a coin on a Sunday morning
after church. Albrecht Durer won the
toss and went off to Nuremberg.
Albert went down into the dangerous
mines and, for the next four years,
financed his brother, whose work at
the academy was almost an immediate
sensation. Albrecht's etchings, his
woodcuts, and his oils were far better
than those of most of his professors,
and by the time he graduated, he was
beginning to earn considerable fees
for his commissioned works.
When the young artist returned to his
village, the Durer family held a
festive dinner on their lawn to
celebrate Albrecht's triumphant
homecoming. After a long and memorable
meal, punctuated with music and
laughter, Albrecht rose from his
honored position at the head of the
table to drink a toast to his beloved
brother for the years of sacrifice
that had enabled Albrecht to fulfill
his ambition. His closing words were,
"And now, Albert, blessed brother of
mine, now it is your turn. Now you can
go to Nuremberg to pursue your dream,
and I will take care of you."
All heads turned in eager expectation
to the far end of the table where
Albert sat, tears streaming down his
pale face, shaking his lowered head
from side to side while he sobbed and
repeated, over and over, "No ...no
...no ...no."
Finally, Albert rose and wiped the
tears from his cheeks. He glanced down
the long table at the faces he loved,
and then, holding his hands close to
his right cheek, he said softly, "No,
brother. I cannot go to Nuremberg. It
is too late for me. Look ... look what
four years in the mines have done to
my hands! The bones in every finger
have been smashed at least once, and
lately I have been suffering from
arthritis so badly in my right hand
that I cannot even hold a glass to
return your toast, much less make
delicate lines on parchment or canvas
with a pen or a brush. No, brother ...
for me it is too late."
More than 450 years have passed. By
now, Albrecht Durer's hundreds of
masterful portraits, pen and
silver-point sketches, watercolors,
charcoals, woodcuts, and copper
engravings hang in every great museum
in the world, but the odds are great
that you, like most people, are
familiar with only one of Albrecht
Durer's works. More than merely being
familiar with it, you very well may
have a reproduction hanging in your
home or office.
One day, to pay homage to Albert for
all that he had sacrificed, Albrecht
Durer painstakingly drew his brother's
abused hands with palms together and
thin fingers stretched skyward. He
called his powerful drawing simply
"Hands," but the entire world almost
immediately opened their hearts to his
great masterpiece and renamed his
tribute of love "The Praying Hands."
The next time you see a copy of that
touching creation, take a second look.
Let it be your reminder, if you still
need one, that no one - no one - -
ever makes it alone!
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